---
title: Improvement Era
description: Monthly periodical of the Mormon church, 1897 onward. This library holds the issues of November 1897 to December 1930.
authors:
  - Evan Stephens
collections:
  - periodicals
tags:
  - magazine
  - improvement-era
periodical: Improvement Era
volume: 24
number: 5
published: 1921-03
publisher: Young Men’s Mutual Improvement Associations
publisher_place: Salt Lake City
language: en
type: magazine
reference: 'Evan Stephens, "The Martyrs," *Improvement Era* 24, no. 5 (March 1921): 431–436.'
source:
  url: https://archive.org/details/improvementera2405unse
  transcription: Transcribed from the Internet Archive scan of each issue (the item for each issue is named in the issue's own source); unnumbered advertising leaves are omitted, printed page numbers are kept as page markers.
  identifier: improvementera2405unse
start_page: 431
end_page: 436
rights:
  status: public-domain
  basis: US publication 1930 or earlier (published 1921-03)
  source: https://archive.org/details/improvementera2405unse
  publication_year: 1921
  note: The Internet Archive item metadata carries a blanket "© Copyright by Intellectual Reserve, Inc." notice. The library owner judged it inapplicable because this issue was published in 1921, before 1931; a scan-level notice does not restore copyright.
---

# The Martyrs

<!-- page:431 -->

THE MARTYRS.
                                  A Sacred Historic Cantata.
                                              PROLOGUE.
                                                                    Words and Music by Evan Stbphbns.
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     the Father,              and His Son,           Jesus Christ,           to live,       to die.

<!-- page:432 -->

432                                 IMPROVEMENT ERA

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<!-- page:433 -->

—

                        A Sacred Cantata
                Respectfully inscribed to President Heber J. Grant

                       Words and Music by Evan Stephens

                    (A Companion Cantata to "The Vision.")
                                     Prologue
Choral Recit.
    Joseph, the Prophet, Hyrum the Patriarch. Chosen of God, the Father,
and His Son, Jesus Christ, to live, to die, in these the latter days, as witnesses of the Father and the Son, that they do live, and again have spoken
to man, here upon the earth. Joseph, the Prophet, Hyrum, the Patriarch:
brothers in life, in death not parted.   Slain for the sake of Truth, in
Carthage jail. "He that loseth his life for My sake, the same shall find
it."    Amen.
                                      PARTI
         FULL CHOIR, CHOIR OF WOMEN, CHOIR OF MEN, AND
                         CONGREGATION.
Full Choir
       With their blood they have sealed their testimony!
         Like to their Master great:
       Giving their lives, so pure and innocent,
         Bravely each met his fate.
       Like gentle lambs led to the slaughter
       The brothers and martyrs true,
       Winning the prize, the reward and the glory
         To martyrs for Christ only, due.
Men's Voices
    Giving the life which the Father had given
      Back to the Giver good,
    After the mission for which it was purposed
         Here, all accomplished, stood:
Women's Voices
       Giving the life to receive it, and keep it
         Through all eternity:
       Joseph, the prophet; Hyrum, the martyr,
         Endless their lives shall be.
Men's Voices
    For every moment of anguish and sorrow,
    Borne for the sake of truth,
    Joy shall be given them both, in His Kingdom,
    Joy, and eternal youth.
Women's Voices
       Joy, and eternal, ne'er-fading glory:
         Honors and all-renown.
       Life everlasting, with Christ and the Father,
         Wearing the martyr's crown.
Congregation and Chorus
       "Praise to the man who communed with Jehovah."

<!-- page:434 -->

—        —

434                            IMPROVEMENT ERA

Recti, and Aria:      Ye would that I return?
Joseph
      Ye would that I return, and face gur foe
      Who seek to take my life? 'Tis well, 'tis better so;
      Void of offense, calm as a summer's morns
      I come to seal the message I have borne.

What is my Life to Me? (Aria)
Joseph
      What is my life? What is my life to me,
      My Father, but of service unto thee,
      And unto those thou gavest unto me?
      What is my life? What is this life to me?
        my Nauvoo! how passing fair thou art!
      And grown full dear and cherished to my heart;
      1   have no wish from thee and thine to go,
      Now thou'rt surrounded by thine evil foe.
      But I foresee thou'rt fated not to last;
      In flames and ashes soon thou shalt be cast,
      And westward far my vision'd eyes behold
      The vales of refuge, long ago foretold.
      Far in the wilderness, like to the mourning dove,
      The Saints shall find a resting place to love,
      From persecutions, and the tyrant hand,
                        —
      There to be free on God's own chosen land.
      But I return, a captive to be     led.
      Lamb to the slaughter, soon among the dead,
      Out of the strife of mortal life, I'll be,
      Living the life of immortality.

      What is my life?      What is my life to me, etc.

                                PART II
                      THE IMPRISONMENT AND DEATH
W omen's Voices
      See them led to the jail at Carthage,
                  —
        Guiltless the brothers fond,
      Joseph and Hyrum, the never-parted
          On earth, as in the beyond.
Men's Voices
      Hear the weeping of wives and mothers,
        As they are forced to part
      Torn from their arms and fond protection,
          Breaking each tender heart.
Full Choir
    Hear the distressing cries of their people
      Calling for God above
    Now to protect, or avenge, the outrage
      Threatened to those they love.
    Vainly they plead, for the trying hour
      Set for the final scene,
    Nearer, and nearer around them is closing,
          Only by heaven seen.

<!-- page:435 -->

—

                               THE MARTYRS                          435

Men's Voices
    Taken by guards sworn to protect them
      Safely by night or day,
    Guards of their foes, in the guise of friendship,
      Sworn only to betray.
Full Ckcir
    Cast into prison, they group together
      They and their brethren true:
    Hark! to the hymn they now are singing
      Hushing the mobbing crew.
    Words that repeat how the Savior-Master,
      He once the "Man of Grief,"
    Spoke of the blessed joys awaiting
      Those who gave sweet relief.
     (Here solo voices (baritone) take up     verses from hymn No. 34,
Psalmody. "A poor wayfaring man of grief," while the chorus accompany
in subdued voices with sentences from the last eight lines of the above,
until the crashing, discordant announcement of the shooting, and death
                —
moment, arrives after which the full choir proceeds with the text.)
Full Ckoir
    Hark, through the crash of guns,
      Up to the silent sky,
    Mid horrid curses vile, and oaths,
      Ascends death's solemn cry.

After a brief pause of silence   —
    The deed is done! and soon
      The murderers are fled.
    While both the martyrs, in their gore,
      Lie silent, pale and dead.

Women's Voices
    Dead! And their mission done:
    Their noble work fulfilled;
    Their voice of warning to the world
    From their loved lips is stilled.
    Stilled, only to   awake
      And evermore rebound
    From silent martyr'd lips to shake
      The universe around.
Full Choir
    The message, sealed in death,
      Grows ever yet more loud:                         *

    Like mighty thunder's crashing breath.
       Heard from the soaring cloud.
     Bear it o'er all the world,
       Ye messengers that fly.
     Proclaim salvation's flag unfurled.
       Redemption's day come nigh.
Full Choir
    The martyrs' sacred blood
      Bears witness to the earth:
     God's final dispensation's come
       To give it endless birth'.

<!-- page:436 -->

—

436                            IMPROVEMENT ERA

                                     PART III
 THE FINAL RITES. EARTHLY, TENDER SORROWS. HEAVENLY
                                FULNESS OF JOY
Lament and march

Women's Voices                                                  *

      Tread softly, bear them home,
      Home to the waiting hearts
      Of the belov'd bereft,
      From whence they're torn apart!
      Tread softly, bear them on,
      The earthly forms we love,
      While angels bear their souls
      To their fair home above.

Men's Voices
    Tread softly, while the tear
      Dims every tender eye;
      While we're all mourning here,
      Angels rejoice on high.
      While music, soft and low,
      Express our mournful song,
      There are no sounds of woe
      Heard from the heavenly throng.

Full Choir
    In triumph bear them home,
      Though dead, their labor done.
    In triumph still they come,
        Their full reward is won.
      Our woes will turn to joy
        When, healed from wounds and pain,
      In bliss without alloy,
        We'll meet them both again.

(When the march music has died away, in the distance, voices break out
  into the following hymn.)

Full Choir
      The heavens ring with songs of love
      Around the throne of glory;
      The work assigned them from above
      Is finished,   and the story
      Of how they died, will fill the earth
      And thrill the hearts of mortals;
      While heaven resounds with holy mirth
      Within its sacred portals.

Final Chorus
      Honor and fame, Eternal Life and Glory
      Be their reward forever, evermore.
                          Amen.

"Pine Lodge," Sept. 27, 1920
