---
title: Improvement Era
description: Monthly periodical of the Mormon church, 1897 onward. This library holds the issues of November 1897 to December 1930.
authors:
  - Jones, Florence L.
collections:
  - periodicals
tags:
  - magazine
  - improvement-era
periodical: Improvement Era
volume: 16
number: 3
published: 1913-01
publisher: Young Men’s Mutual Improvement Associations
publisher_place: Salt Lake City
language: en
type: magazine
reference: "Jones, Florence L., \"Milton's Country and Gray's,\" *Improvement Era* 16, no. 3 (January 1913): 224–226."
source:
  url: https://archive.org/details/improvementera1603unse
  transcription: Transcribed from the Internet Archive scan of each issue (the item for each issue is named in the issue's own source); unnumbered advertising leaves are omitted, printed page numbers are kept as page markers.
  identifier: improvementera1603unse
start_page: 224
end_page: 226
rights:
  status: public-domain
  basis: US publication 1930 or earlier (published 1913-01)
  source: https://archive.org/details/improvementera1603unse
  publication_year: 1913
  note: The Internet Archive item metadata carries a blanket "© Copyright by Intellectual Reserve, Inc." notice. The library owner judged it inapplicable because this issue was published in 1913, before 1931; a scan-level notice does not restore copyright.
---

# Milton's Country and Gray's

<!-- page:224 -->

Milton's      Country— and Gray's

                       An Autumn Reverie

                       BY FLORENCE    L.   JONES

                                       —
     Far from the madding crowd just out of London, the
                              -

valley town lies like a nest amidst sweeping uplands.       In the
peaceful haze an hour before twilight, the view is one of the most
picturesque throughout agricultural England.     The harvested oats
and barley, bound in sheaves.    The fields of still standing wheat,
a-ripple like a saffron lake when a zephyr passes over them.    The
sloping pasture lands, wherein are ruddy patches contributed by
quietly grazing cattle.   The thick belt of trees beyond.   Over it
all   the slowly-fading pageant of the sunset.     In the purpureal
light that succeeds, while the    evening star brightens, the amber
strands of glowing sky, the verdant pasture lands, the number of

              MILTON S COTTAGE, CIIALFONT, ST. GILES

<!-- page:225 -->

MILTON'S COUNTRY— AND GRAY'S                               225

lately harrowed acres, the gold of harvest fields, sentineled by
shadowy trees, fade into the blue-grey distance, at one with the
horizon.
        In these contrasting slopes, decked at man's wish and Nature's
will,   boundless to the eye, is an impression of abiding peace and
freedom.      The tranquil picturesqueness of the scene is enhanced
to the inner sense by association with the near vicinity of two great
English poets.      Involuntarily, too, there arises in that background
the haunting     lilt   of a later singer.   Walking through the long,
sloping barley fields, "that clothe the world and meet the sky," one
feels that    they must lead soon to towered Camelot.               And hark!
Is that a hymn chanted by devout harvesters?             Is   it   the caroling

of the lone Lady of Shalott heard from afar?
     But it is Milton's Country, and it is Gray's.                 And looking
on these sloping fields, these magnificent trees whose boughs have
grown green and become bare in summer's alternation with winter
through centuries, one feels that "L'Allegro" or the immortal
Elegy might have been perpetuated with inspired quill out of such
environment only yesterday.
    But where are the deep-eaved cottages, the ruddy farm-steads,
with quaint weather-cock and gable?
    Gone with the graceful sweep of the scythe, the merry Maypole, and the boisterous harvest supper.        Gone with their raftered
chimneys and flaming hearths, and the yokel's belief in gargoylefeatured goblin and cricket-voiced sprite.   In their places are the

gaunt chimneys of  leather-factories and   saw-mills.    The valley-
                              red-brick dwellings,  elbowed  by little
nest is crowded with rows  of
                                                              assertive facade
 villas   with exotic names, upon which stares the
 of a board school.        All the dwellings in the valley now are illum-
 ined with electric light.
         spire beckons the eye to where grey
                                              head-stones lean awry
         A
 beneath the sombre shade of evergreens.
                                             These fields, these hale
                                                      world of Lon-
 and  venerable trees, from whence the kaleidoscopic
                                          almost the same as when
 don lies but a score of miles away, are
                                                 such in his mind's
 Gray meditated amongst them as when, with
                                       ;

                                   reveries.  But amidst the wood
 eye Milton composed his lyrical
                                                     that appears to remain
 and pasture of these peaceful uplands,
                                               all

                                   are grey head-stones crumbling
 of things human of the olden time
                                                        in capital,
 in the church-yard.  In breeze-swept rural district as

<!-- page:226 -->

226                       IMPROVEMENT ERA

nowadays, one is impelled to ponder how "the old order changeth,
yielding place to new."   The electric light in the valley from a
                                                           —
hundred points signals the march of modernity the inward unrest,     the outward uniformity implied in the            word   — upon these

                           STOKE POGIS CHURCH
fields,    over which   now hangs the half-shield of the waxing harvest-moon.       A sinuous trail of steam and smoke fades in the air
like a    dream, as a puffing train curves and lurches on its way to
London.
LONDON, ENGLAND
