---
title: Improvement Era
description: Monthly periodical of the Mormon church, 1897 onward. This library holds the issues of November 1897 to December 1930.
authors:
  - Jordan, William George
collections:
  - periodicals
tags:
  - magazine
  - improvement-era
periodical: Improvement Era
volume: 13
number: 5
published: 1910-03
publisher: Young Men’s Mutual Improvement Associations
publisher_place: Salt Lake City
language: en
type: magazine
reference: 'Jordan, William George, "The Crown of Individuality. V.—The Sculptured Figures of Society," *Improvement Era* 13, no. 5 (March 1910): 427–430.'
source:
  url: https://archive.org/details/improvementera135unse
  transcription: Transcribed from the Internet Archive scan of each issue (the item for each issue is named in the issue's own source); unnumbered advertising leaves are omitted, printed page numbers are kept as page markers.
  identifier: improvementera135unse
start_page: 427
end_page: 430
rights:
  status: public-domain
  basis: US publication 1930 or earlier (published 1910-03)
  source: https://archive.org/details/improvementera135unse
  publication_year: 1910
  note: The Internet Archive item metadata carries a blanket "© Copyright by Intellectual Reserve, Inc." notice. The library owner judged it inapplicable because this issue was published in 1910, before 1931; a scan-level notice does not restore copyright.
---

# The Crown of Individuality. V.—The Sculptured Figures of Society


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The Crown of Individuality.
BY WILLIAM GEORGE JORDAN.

V.— The Sculptured Figures of Society.
Over the great doorway of one of New York's sky-scraping
office    buildings   three   colossal   sculptured figures   are   posed   in

crouching attitudes.   With their great bowed heads, grimly tense
features, and muscles strained like whip-cords they seem to hold
on their broad shoulders the terrific weight of twenty or more
stories of solid masonry.  They are really only — pompous shams.
Theirs is only a Herculean pose.            Theirs is only the pretense of
the strenuous    — not its reality. They were put in after the build-
ing was completed; they could be removed without endangering
the safety of the edifice in the slightest. They have no more real
responsibility than a wandering fly, tarrying for a moment on the
flag-pole on the roof.
There are thousand of such sculptured figures in the world of
society today.        They are men whose powers are evidenced in
ounces, whose pretense       is proclaimed in tons. They are those
whose promises out-soar the eagles, whose performance is lower
than the flight of the mud-lark.    They are constantly posing phy-
sically,   mentally, morally, socially,or spiritually.  By juggling
with excuses of their vanity and selfishness they may mislead them-
selves and others for a time, but usually        —
they deceive only them-
selves.  They are most often like the village fool who thought he
played the organ when he only— pumped the bellows.

*    From The Crown of Individuality    .   Copyright, 1909, by Fleming
H. Re veil Company.

<!-- page:428 -->

428                             IMPRO VEMENT ERA

Certain fairly harmless sculptured figures have              the pose of
being "extremely busy." They constantly seek to raise themselves
to a conspicuous ledge by the derrick of their own conceit.  They
seem to have so much to accomplish that you might infer that were
each day two weeks long and three weeks wide,                        it    would be
absurdly inadequate for their diurnal               duties.     Their tasks are so
"terrifically many" that, if you            were optimistic enough to accept
their statements as net, without asking for discount, you would
realize that these tasks could             never be accomplished by any indi-
vidual   — would surely require a syndicate.
it

They belong to a class, who if they receive three letters a
day,     tell you that they are "just deluged with correspondence."

Their social engagements are "positively tiresome"                    and as you
listen to the list          of their society friends your commercial instinct
makes you picture what a splendid elite directory it would be were
itonly put into print.   Their troubles with their servants seem so
great that you wonder why they do not discharge nine or so of
them and worry along with the remainder.        They use a seventy
horse-power vocabulary for a bicycle set of thoughts.       They go
around polishing their own halos.
Another of these sculptured figures poses as an intellectual
Atlas     holding up the whole firmament of thought                 — merely one
world     is    too easy.      His ignorance and his impudence ever collab-
orate with his            iconoclasm.      He demolishes literary         reputation
with the ease of a sharp-shooter hitting glass balls.                     He confides
to you that Shakespeare is greatly overrated, Thackeray was only
a cynic,            Scott a garrulous old novelist,   George Elliot a sawdust
doll,    Dickens a tedious reporter.          All the world's greatest drama-
tists,   novelists, poets, philosophers          and thinkers, are one by one,
inevitably bowled into          — nothingness.
There is a sculptured figure who speaks as though pronounc-
ing the last word of finality on science and higher thought.                     The
problems that- have baffled the sages for ages seem to him as lu-
minant as an electric sign on a dark street.                  Though he has read,
perhaps, partially through one volume of Spencer, Tyndall, Hux-
ley, or Darwin,           he erupts, like a pretensive Vesuvius of knowledge
on   — evolution.          There are thick clouds of the smoke of mere
words, and sputtering             of    confused light.       Every weak spot in

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THE CROWN OF INDIVIDUALITY.                               429

theology is known to him and where he cannot find a puncture he
makes one.           He seems to believe he could handle all cannon-ball
problems as lightly as though they were rubber-balls.                        Ignorance
of many of these great questions is justifiable and natural to us
who are not omniscient. It needs no apology, because one may

be thinking honestly on other subjects nearer and dearer to one's
life.     The wrong and folly lie only in           — the pose and the pretense.
There are other sculptured figures more sad to think of, more
serious to         contemplate, more blighting on the lives of others.
They are those who                  peril the   crown of   their individuality by a
moral        or     a    religious      pose— a    combination     of    pharisaism,
pride, policy and pretense.                They may occupy high places but, like
statues in cathedrals, despite the religious atmosphere                       and the
environment in which they                 exist, they remain   — only stone.
Religion to be worth aught must transform and sweeten and
better lives or         —   it is   only a self-deceiving formula.      It   must be a
living     impetus making them bear bravely their own burdens; it
must broaden their shoulders to stand the strain of others' needs;
itmust make them active, verile, aggressive, inspiring powers in
the world.           Religion,        to be really worth    while, should, by their
living,    fill   men's hearts with love, truth, right, justice, sweetness,
honesty, faith, charity, trust and peace.                   These virtues can no
more be kept hid from the world around them than can the blaz-
ing sun, riding royally in the zenith at noonday.
There are religious sculptured figures from sheer hypocrisy,
consciously         treading on         their church   rating— these may deceive
the world          without blindfolding their own            eyes for a moment.
There is a more subtle form where the individual himself does not
realize that he is only an eye-servant or                  an ear-servant, that his
is lip               He has no realization that he is not trans-
service only.
forming what he believes is true into a dynamic moral force affect-
ing his     own life and the lives of others.
There are sculptured figures of friendship that may deceive us
for a time.             Discovery      may take from us,     for a long period, all
that is best in us, shrivel our faith in humanity,                   and leave us
lonely    — until we bury the dead body of the friendship and learn to
forget.
There are friendships upon the certainty of which we have

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430                        IMPRO VEMENT ERA

staked our life.We have felt that though the winds of adversity
might blow bleakly about us, the ships of our highest hopes
wreck at the moment we believed they were almost in their haven
of return; the night of our great misfortune settle          down on us
without a star; the cup of sorrow, shame and suffering be close-
pressed to our lips, yet despite all that might possibly come to us,
there would ever be— this true friend by our side.
We may have shared his crust of trial and disappointment,
heart-gladdened, in a way, and          we were privileged thus to be of
service to    him.    We may have listened untiringly to his endless
repetition of the     litany   of   some sorrow of his— soothing him,
sweetly consoling, silently and sympathetically comforting         — with
no thought of self.        We may have secretly left the deathbed of
some great hope of our own, stifled our sobs bravely that he might
not know, and sat down with serene patience to watch and nurse
with him at the sick-bed of some grief of his or to help him
towards the resurrection of some hope of his from the grave of his
sorrow or his   failure.
All that was ours, all the resources of our whole life were
more truly his than ours because his need would stimulate us to
higher effort in his behalf than we would make in our own.    He
may have protested undying           gratitude, told us freely,   over and
over again, that no demand or need of ours would seem even a
drop to the ever-flowing spring of his gratitude.
Then when the finger of time had moved from days to weeks,
and to months, the angel      of a great grief may have knocked
at the door of our heart, and perforce we have to open and let the
angel of sorrow come in.            In the awful desolation and loneliness
that numb our very soul we may turn around confident of meeting
responsive eyes looking inspiration into ours; we involuntarily bend
the ear to hear words of courage from the lips of the only one in
all   the world that could comfort or console.         We reach out, by
some subtle instinct, the hand of our pain, expecting it to be warmly
covered, but instead we touch only        — the cold, hard, chiseled out.
lines of a sculptured figure.
Then we realize the fulness of one of the most pathetic cries
in all the world's history, when Christ in the garden of Gethsemane,
in sublime hunger of heart, in divine protest of soul, broke in on the
