---
title: Improvement Era
description: Monthly periodical of the Mormon church, 1897 onward. This library holds the issues of November 1897 to December 1930.
authors:
  - Ballantyne, Joseph
collections:
  - periodicals
tags:
  - magazine
  - improvement-era
periodical: Improvement Era
volume: 7
number: 12
published: 1904-10
publisher: Young Men’s Mutual Improvement Associations
publisher_place: Salt Lake City
language: en
type: magazine
reference: 'Joseph Ballantyne, "At the Louisiana Purchase Exposition. II—Music at the World’s Fair," *Improvement Era* 7, no. 12 (October 1904): 945–947.'
source:
  url: https://archive.org/details/improvementera0712unse
  transcription: Transcribed from the Internet Archive scan of each issue (the item for each issue is named in the issue's own source); unnumbered advertising leaves are omitted, printed page numbers are kept as page markers.
  identifier: improvementera0712unse
start_page: 945
end_page: 947
rights:
  status: public-domain
  basis: US publication 1930 or earlier (published 1904-10)
  source: https://archive.org/details/improvementera0712unse
  publication_year: 1904
  note: The Internet Archive item metadata carries a blanket "© Copyright by Intellectual Reserve, Inc." notice. The library owner judged it inapplicable because this issue was published in 1904, before 1931; a scan-level notice does not restore copyright.
---

# At the Louisiana Purchase Exposition. II—Music at the World’s Fair

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—

AT THE LOUISIANA PURCHASE EXPOSITION.

     [One sees the largest organ in the world, at Festival Hall, though
one may not hear it there to the best advantage, owing to the building's
defective acoustic properties.        Music with art and nature make the
grand promenade a poem of delight.   To stand in the shadow of the colonnade of states, or at the opposite end near the statue of St. Louis,
and there hear the magnificent instrument, see the flowers and gardens,
statues    and walks, buildings and       bridges, and listen to the cascades
and the murmur of the fountains, as their music mingles with the
songs of the gondoliers,     is   a life-long inspiration.     One of the Utah
musicians    who has seen and heard these wonders is Joseph                   Ballantyne.     He experienced more, for he attended the singing                 contests held in the      great Festival Hall, in July.         His impressions are
given in this paper.        Joseph Ballantyne is a native of Utah, and one
of the youngest sons of Richard Ballantyne, the founder of the Sunday
Schools.     He studied in New York, taking a four-years' course in the
late 90's, and en returning       to Ogden continued his musical labors,      publicly and privately.      He has been specially successful,      in   teaching the
children, as the stake chorister for the Sunday Schools, a labor which he
engaged in by the special request of his father who was for many years
leader of the Sunday Schools of Weber.      He has also succeeded admirably as teacher in the State schools for the Deaf and Blind, and as director of the Ogden tabernacle choir.          Editors.]

                                         II.

                    MUSIC AT THE WORLD'S FAIR.
BY JOSEPH BALLANTYNE, CONDUCTOR OF THE TABERNACLE CHOIR,
                                  OGDEN, UTAH.

     My visit to the Louisiana Purchase Exposition was arranged
for at a time when the Competitive Choral Contests were in pro-

<!-- page:946 -->

946                        IMPROVEMENT ERA.

                       They began the afternoon of Monday, July
gress, in Festival Hall.
11, and ended Saturday afternoon, July 16.         There were five
competing choruses in the first gr^de, and four in grade two. The
awards were made in Festival Hall, Saturday evening, July 16,
by President Francis, and were as follows:          —In the   first      grade,
chorus for societies       of    one   hundred or   more members,           the
first prize,   $5,000, was awarded to the Scranton, Pa., Oratorio Society.    The second prize, $3,500, went to the Evanston, 111., Musical
Club, and the third, $2,500, to the Denver, Col., Choral Society.
       In the contests for organizations in the second grade having
not less than 60 voices, the first prize, $2,500,     was given to the
Denver Select Choir; the second, $l,500,to the Pittsburg,Pa., Cathedral Choir, and the third, $1,000, to the Ravenswood, 111., Choral
Society.       Mr. Watkins was the Conductor of the Scranton Oratorio Society which won first prize in grade one.        He is a man of
force and precision in his conducting, always having his chorus
under perfect control.          He displayed a very high musicianship in
                                               Mr. Henry Housley
his interpretation of the four choruses rendered.

(whom the people of Utah will remember as one of the competitors
in the Choral Contest at the Eisteddfod some years ago) was the

conductor of the Denver Select Choir, which carried           off   the   first

prize in grade two.   He is known as a composer, organist and conductor,    a man of great musical ideas, and one of our best known
conductors.
       It was an invaluable     opportunity for a person interested in
choral work to hear the         competing choruses.     Surprising as        it

may seem, there was marked difference           in the interpretation of
the choruses by the various conductors, and right here              is   where
a display of the true characteristics of a great conductor are employed.        Even in the matter of tempo they were at least twenty
points at variance.      It was a pleasure I shall long remember,          and
one very much appreciated and enjoyed.
     During the week of the choral contests, there were three of
the great standard oratorios given.    The Creation, by Haydn;
Caractarus, by the modern English composer, Elgar, and the very
great and well known Elijah, by Mendelssohn. Three of the competing societies did the chorus work assisted by the regular Exposi-

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AT THE LOUISIANA PURCHASE EXPOSITION.                           947

tion orchestra of one hundred pieces.     On account of the unfavorable position of the chorus, being far back on the platform behind the orchestra, the choral work was impaired, but the orchestra
was magnificent, well balanced, with the necessary supply of
strings and wood wind.
     The Saint Louis Exposition has the largest organ in the
world.        After the close of the Fair, in December, it will be removed from Festival Hall to Kansas City, Mo., where it will have a
permanent place. Each morning at 11 o'clock, there is an organ
recital     given on this great organ, for which the small admission
fee of ten cents is charged.       Some of the greatest organists in the
United States have been engaged to give recitals on this organ,
and the greatest of them all, Alex Guilmont, the veteran French
organist, is engaged for a series of twenty recitals.              Music has
been well cared for at the Fair.            There are numerous military
band concerts, almost every day, free vocal and instrumental recitals, in    the various state buildings,      symphony concerts by the
Exposition orchestra, in Festival Hall, three times a week, and various lighter forms of music always in progress.
      It is   a matter of sincere congratulation that the Exposition
officials    have deemed   it   wise to provide music in its higher forms
for their visitors, and all who attend the Fair may have an opportunity, outside the realm of opera, of hearing the master's greatest
works, by artists in their special line.

     [When it is remembered that last year more than twenty-six million
dollars in ore were taken out of the mines of Utah, and that every month
in the year half a million dollars or more are distributed to Utah mine
owners, in dividends, the magnitude of our mineral wealth            is   partly
comprehended.     It is, therefore, specially fitting that at the world's great

display of wonders, at St. Louis, Utah should include a machine showing
the process of separating gold from its base surroundings.        The marvelous power exerted by this mysterious machine is a source of much wonderment to all who visit Utah's fine and famous mineral exhibit, in the
Palace of Mines and Metallurgy.     We present herewith an enthusiastic
description of it as seen by an Eastern writer.   Young men who may
not have the privilege of seeing this machine in St. Louis may have the
