---
title: Improvement Era
description: Monthly periodical of the Mormon church, 1897 onward. This library holds the issues of November 1897 to December 1930.
authors:
  - Alder, Lydia D.
collections:
  - periodicals
tags:
  - magazine
  - improvement-era
periodical: Improvement Era
volume: 4
number: 8
published: 1901-06
publisher: Young Men’s Mutual Improvement Associations
publisher_place: Salt Lake City
language: en
type: magazine
reference: 'Lydia D. Alder, "Warwick and Kenilworth," *Improvement Era* 4, no. 8 (June 1901): 615–619.'
source:
  url: https://archive.org/details/improvementera0408unse
  transcription: Transcribed from the Internet Archive scan of each issue (the item for each issue is named in the issue's own source); unnumbered advertising leaves are omitted, printed page numbers are kept as page markers.
  identifier: improvementera0408unse
start_page: 615
end_page: 619
rights:
  status: public-domain
  basis: US publication 1930 or earlier (published 1901-06)
  source: https://archive.org/details/improvementera0408unse
  publication_year: 1901
  note: The Internet Archive item metadata carries a blanket "© Copyright by Intellectual Reserve, Inc." notice. The library owner judged it inapplicable because this issue was published in 1901, before 1931; a scan-level notice does not restore copyright.
---

# Warwick and Kenilworth

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WARWICK AND KENILWORTH.
                BY LYDIA D. ALDER, ENGLISH MISSIONARY.




        June, the month of roses and bloom, finds us in old-fashioned,
sleepy Warwick.        What a host of pleasant memories arise at the
mention of the name!   We have just arrived from Birmingham,
having attended the semi-annual conference, and we go out for a
walk to Leamington. Standing on the bridge that spans the little
stream, we have the best view of the Warwick castle.
   On this rather sluggish stream, young people often glide in little
pleasure boats that go almost to the fine falls, at the point where
the water touches nearest to the sombre castle, whose battlements
tower ever so high above.
        Leamington adjoins Warwick, the walk being only about two
and a half miles; but          it   does not seem so far.   The trees and
hedges, on either side of the road, cast long shadows, making           it

cool and pleasant.      Through them the       sun's last rays flash crim-
son and gold.      All is quiet, save the twitter of the birds.    We sit
down     to listen to them.   The cuckoo is calling, and the echo
repeats, softly, "cuckoo, cuckoo." The effect of silence and sound,
seems different here. Silence seems full of speech, while sound
seems first near, then far away, and grows wider and wider in sound
waves, even to the trees in the farther fields, where feathered
songsters are singing low their evening songs.
       Leamington is a fashionable town, noted for its famous spa
water, which      we   taste   at the iron fountain    near the   railway
bridge.     We decide we do not like it.
                                     The streets are wide and
modern; the shop windows display costly goods, and the people
aa:e   well dressed.   The gardens are lovely, so we seat ourselves to

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!




616                      IMPROVEMENT ERA.

enjoy the cool breeze, and feast our eyes on the gorgeous beds of
flowers.  They are very wide, and extend almost to the band stand,
which is erected in the centre of the well-kept lawn. Now and
then, dreamy melodies are wafted on the air, but we are too
weary to wonder what they are; we only know that they are sweet
and soothing. All around, are rows of trees; under them, here
and there, are benches bidding us rest, an invitation we gratefully
accept.    It is the most natural thing in the world to do; so we

give ourselves up to the enjoyment of the scene.     Such silence is
golden; in it, nature reveals volumes by her glowing yet dainty
colors, set in a framework of dense foliage.
     The Parade is a wide street, with double rows of lovely trees.
Three of these are pointed out as being in the center of England.
They are girded by iron fences. They are centuries old. Rever-
ently, we gaze on them.   Around them, little children are playing,
and we wonder   how many  generations have thus enjoyed the shade
cast by their wide-spreading branches. Their leaves seem to dance
in merriment with the children's rippling laughter, or shiver when
funeral knells are sounded through them.                  They seem to utter
new echoes of that long ago, when they were young and straight;
before storms had bent and seamed them, and time had broadened
their trunks.      Then they were         as   young as the lovers whose
hearts first beat time to their leafy music.

         Memories, memories! weird the songs you sing,
         From the heart's deep fountains, the melodies spring.

      Next day we go on a          visit to Kenilworth.            It   is a   pretty
country town which we admire very much, as we loiter through its
quiet streets.     Far and near, the celebrated ruins of Kenilworth
are known.       Thousands visit them annually.  What a grand and
immense castle it must have been, in the days of its glory
      By far the finest view       is    obtained from        the rear which is
reached by a foot-path through the              fields.   Probably the castle
was stormed from this     point.        History   tells us,   it   has been the
abode   of   sovereigns; and royal         guests were entertained here.
Henry VIII, while he destroyed the             stately,   costly priory, in his
zeal to obliterate everything that was            Roman Catholic, improved,
at great cost, the castle of Kenilworth.           In the reign of Elizabeth,

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WARWICK ANDIKENILWORTH.                            617

it   was granted to Robert Dudley, whom, in the sixth year         of her
reign, she created Earl of Leicester.     An account of her celebrated
visit at the castle, will be found in the notes of    the novel "Kenil-
worth."
       The grandeur of its desolation and ruin, cannot be described.
As Henry VIII had destroyed or dismantled all that         did not suit
his ideas in his time, so likewise did Oliver Cromwell, in the turbu-
lent years that followed.      From a noble palace, it became a ruin,
the abode of the bat and the owl.        Ivy, growing in fantastic fes-
toons, climbs over and around its roofless walls and partly demol-
ished masonry.      No human lives are within it, or on its domain,
save in a portion that has been built perhaps as a warder's tower
or lodge.
       The poet might idly dream for days among these scenes of
desolation and impressive silence.        He could inhabit it with the
people of his brain, that it would become a palace of          life.   The
pompous Henry would ride through its wide portals; and Elizabeth,
England's Protestant queen, would be seen loitering through            its

leafy lanes, surrounded by her royal knights.         Hopes, ambitions,
and love, were born here, and stealthy hate flourished by their
side.  The laughter of childhood has rung through its painted cor-
ridors; and slow steps have borne a master to the waiting tomb;
but all are gone, leaving this noble pile, to crumble with the dust.
     The front view is fine; coming upon it unexpectedly one is
struck with its magnificence, its solemn impressiveness.          Among
the ruins, one feels he must step lightly, lest some      sleeper of the

past, should suddenly rise from the ground, or some guard con-
front him, inquiring, "Who goes there?"

            The days of its glory, gone as a dream,
            That leaves no ripple on Time's changing stream.

    Guy's Cliffs is a point of interest that no traveler should miss.
A walk of two and a half miles west from Warwick, and the main
entrance is visible from the road; being wide and open, the view
is enchanting.   It is the home of the Percy family, and lovely as

is the front view, the one from the old mill-pond is equally charm-
ing.   The edges of the pond are surrounded by trees and hanging
foliage of almost tropical exuberance, whose long shadows kiss
                                                                the

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618                       IMPROVEMENT ERA.

water's clear bosom.       On the upper side, the falls dash and foam,
then flow smoothly away to join the Avon, of which it is a tributary.
We find the falls musical company, as we join other travelers who
are taking a short rest here.        The home of the Percys is noted
for an oil painting of a murder, that is so real and life-like, that
one coming upon it unawares, shrieks in terror. It is incased in
the wall and kept under lock and key, only being shown occasion-
ally.     It is the story of a dark deed   committed long ago, and is so
mingled with superstition and tradition that its truth is difficult to
discover.      In   returning,   we take   the    hill   path which affords
glimpses of woods and dells far down below, all aglow with butter-
cups and daisies.
    Time is speeding along, and we are still dreaming in Warwick;
we would fain tear ourselves away from its quaint houses, wind-
ing streets, and peculiar arches, over which churches are built.
Some of the houses are four and five hundred years old.             (The one
in which we are staying was built five           hundred years ago.)     We
were told of one that had recently been sold, that had been in the
owner's family for nine hundred and fifty years.            She was a poor,
aged widow, who had no means of support, and the county would
not aid her, while she was a property owner; hence, she had to sell
it to    enter the poor house, (to become pauper as they are termed
here,) to obtain the daily bread that perisheth.           In my next, I will
tell    of a visit to the Countess of Warwick.

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—
